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>> No. 2025 Anonymous
23rd January 2010
Saturday 3:26 am
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Because I know people 'like' Banksy.

http://banksyfilm.com/

Real film, looks pretty good. Alot of well known street artists on this.
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>> No. 2038 Anonymous
24th January 2010
Sunday 10:08 am
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writing was always bad.
>> No. 2039 Anonymous
24th January 2010
Sunday 3:52 pm
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>>2038
>> No. 2041 Anonymous
25th January 2010
Monday 1:38 pm
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It looks fascinating, I can't wait to see it.

I know it's fashionable now to hate Banksy, but can you honestly remember a time that anyone in this country was interested in an artist that wasn't put on a pedestal by Charles Saatchi?
>> No. 2049 Anonymous
26th January 2010
Tuesday 1:35 am
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>>2041

This is exactly right!
>> No. 2246 Anonymous
10th March 2010
Wednesday 3:27 pm
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I've watched a few graffiti films, always incessantly boring. I'll wait for torrents.

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>> No. 2238 Anonymous
7th March 2010
Sunday 10:30 am
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http://www.hdrsoft.com/

>If you have ever photographed a high contrast scene, you know that even the best exposure will typically have blown out highlights and flat shadows. Photomatix offers two ways to solve this problem:

>-HDR Tone Mapping: Reveal highlight and shadow details in an HDR image created from multiple exposures.
>-Exposure Fusion: Merge differently exposed photographs into one image with increased dynamic range.

That sounds splendid but why do I find the results so unsettling?
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>> No. 2241 Anonymous
7th March 2010
Sunday 11:30 am
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Very interesting.
>> No. 2242 Anonymous
7th March 2010
Sunday 2:49 pm
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I love the saturation in HDR images. There's something awesome about them.
>> No. 2243 Anonymous
7th March 2010
Sunday 7:26 pm
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Only a couple of years late on this OP. The problem is that the technique, once established, became quickly overused and abused by beginner photographers who have no concept of subtlety when it comes to processing, and thus you end up with all these unrealistic alien-world photos. When done properly, however, it is difficult to even tell if the shot is HDR - pic related.
>> No. 2244 Anonymous
9th March 2010
Tuesday 1:39 am
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>>2243
The unsubtle, glaring vistas make good backgrounds though.
>> No. 2245 Anonymous
9th March 2010
Tuesday 10:32 pm
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It is horribly over-used. It's this generation's lens flare effect.

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>> No. 2227 Anonymous
28th February 2010
Sunday 8:29 pm
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This frog – or DFA 18, Triton (2001/7) to give it its proper title – is the creation of Brandon Ballengée, an environmental artist who says his work "attempts to blur the already ambiguous boundaries between environmental art and ecological research". Over the past six years he has been studying global species decline and he has become a field observer for the United States Geological Survey's North American Reporting Centre for Amphibian Malformation. Ballengée developed a chemical process that makes skin and other tissue transparent while leaving bones and cartilage stained with colours.

http://www.amazon.co.uk/Art-Science-Now-technological-21st-century/dp/0500238685/ref=sr_1_6?ie=UTF8&s=books&qid=1267100001&sr=1-6

The image comes from this book. Wow.
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>> No. 2232 Anonymous
5th March 2010
Friday 4:09 pm
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>> No. 2233 Anonymous
5th March 2010
Friday 4:16 pm
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http://www.sat.qc.ca/post.php?id=40&post_id=1474&lang=fr
>> No. 2234 Anonymous
5th March 2010
Friday 4:24 pm
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>> No. 2236 Anonymous
5th March 2010
Friday 5:10 pm
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>> No. 2237 Anonymous
5th March 2010
Friday 5:11 pm
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Nice detailed one here but my connection's too slow to post it in the thread: http://www.rigb.org/assets/uploads/images/DEFORMEDFROG2.jpg

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>> No. 2198 Anonymous
22nd February 2010
Monday 6:54 pm
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Could any of you kind lads turn this image from colour in to black and white? And/Or make it transparent?
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>> No. 2222 Anonymous
23rd February 2010
Tuesday 7:41 pm
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OP here, I love you britfa.gs. Also I need a large scale picture of him, if that would be okay? Still in gray, just like that Star Wars Nazi picture, but more of a focus on him in the centre of it. Not too much of a problem I presume?
>> No. 2223 Anonymous
23rd February 2010
Tuesday 8:38 pm
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>> No. 2224 Anonymous
23rd February 2010
Tuesday 9:18 pm
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>>2223

>big one
>> No. 2225 Anonymous
23rd February 2010
Tuesday 9:40 pm
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>>2224
Back of the net!
>> No. 2226 Anonymous
23rd February 2010
Tuesday 9:56 pm
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>>2220

Fine.

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>> No. 2015 Anonymous
17th January 2010
Sunday 10:33 pm
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ITT: Obscure video games with interesting cover artwork
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>> No. 2043 Anonymous
25th January 2010
Monday 10:38 pm
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>>2021
Very obscure indeed.
>> No. 2044 Anonymous
25th January 2010
Monday 10:40 pm
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>> No. 2046 Anonymous
25th January 2010
Monday 10:52 pm
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>>2024

I'm glad I'm not the only one. All I could think of was old Yes albums when watching that movie.
>> No. 2047 Anonymous
25th January 2010
Monday 10:53 pm
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Looks better IRL, the scan here is crap.
>> No. 2197 Anonymous
20th February 2010
Saturday 1:57 am
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>>2020

Always liked that cover. I used to have a huge poster of it somewhere.

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>> No. 2098 Anonymous
18th February 2010
Thursday 6:07 am
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I happened upon a website hosting smallish scans of an early 20th century French anarchist art magazine called L'Assiette au beurre http://www.assietteaubeurre.org/. The art of Gustave-Henri Jossot (1866-1951) particularly stood out. He seems to have been an interesting character - starting out as an anarchist atheist in France and then moving to Tunisia and converting to Islam.

All the following pictures have captions. You can read them properly at the http://www.assietteaubeurre.org/ website. They were originally published 1901-1907.
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>> No. 2192 Anonymous
18th February 2010
Thursday 7:42 am
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>> No. 2193 Anonymous
18th February 2010
Thursday 7:42 am
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>> No. 2194 Anonymous
18th February 2010
Thursday 7:42 am
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>> No. 2195 Anonymous
18th February 2010
Thursday 7:43 am
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>> No. 2196 Anonymous
19th February 2010
Friday 12:23 am
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Some of these are great, thanks.

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>> No. 1701 Anonymous
11th November 2009
Wednesday 3:14 pm
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How do we define art? Apparently Damien Hirsts' cow cut in half is art; however obscure it may appear. What's the most obscure piece of art you've ever come across?
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>> No. 2080 Anonymous
31st January 2010
Sunday 3:19 am
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>>1757

If I step on this can, will it explode ?
>> No. 2093 Anonymous
14th February 2010
Sunday 4:27 am
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>>1701 I once heard Brian Sewell define art as anything which is produced by someone who calls themselves an artist. The emperor is indeed naked but who are we to judge his fashion sense ?

Personally, I don't like any art where I can't see any sense of craft or craftman's skill. I don't think a concept is enough. You need to back it up with years spent perfecting your skill. This doesn't mean I don't like modern art, but I don't like things like "a pile of bricks" or "unmade bed" which I have the skills to produce myself, even though I didn't come up with the concept.
>> No. 2094 Anonymous
14th February 2010
Sunday 2:38 pm
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>>2093
The term "art" is too diffuse these days. I agree though, with our world of production lines and copy-pasting, I find the most beauty in skillfully handmade unique objects.
>> No. 2095 Anonymous
14th February 2010
Sunday 5:46 pm
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>>2093

I agree. While I am often tickled by some of these modern 'concepts' they are just that - concepts. If you had simply written down what you were going to do I think I'd have gotten just as much out of the idea.
>> No. 2096 Anonymous
17th February 2010
Wednesday 10:26 am
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>>1701 Obscure? perhaps almost everything in the Tate Modern

One of these days I'm going to tape out a squre metre in there and place a small plaque on the floor next to it just to see how long it takes for them to remove my obviously post-modern artwork that is representative of the emptyness of existance and the futility of it al

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>> No. 849 Anonymous
7th July 2009
Tuesday 7:57 pm
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Wallpaper thread please?
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>> No. 2072 Anonymous
26th January 2010
Tuesday 1:43 pm
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>> No. 2073 Anonymous
26th January 2010
Tuesday 1:44 pm
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>> No. 2074 Anonymous
26th January 2010
Tuesday 1:46 pm
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>> No. 2091 Anonymous
8th February 2010
Monday 6:22 pm
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hm
>> No. 2175 Anonymous
18th February 2010
Thursday 7:24 am
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>>2091
I like that.

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>> No. 1909 Anonymous
28th December 2009
Monday 2:53 pm
1909 interesting recycle
Leonardo is thought to have used the golden ratio, a geometric proportion regarded as the key to creating aesthetically pleasing art, when painting the Mona Lisa. The Dutch painter Mondrian used it in his abstract compositions, as did Salvador Dali in his masterpiece The Sacrament of the Last Supper.

Now a US academic believes he has discovered the reason why it pleases the eye. According to Adrian Bejan, professor of mechanical engineering at Duke University, in Durham, North Carolina, the human eye is capable of interpreting an image featuring the golden ratio faster than any other.


http://www.guardian.co.uk/artanddesign/2009/dec/28/golden-ratio-us-academic
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>> No. 2085 Anonymous
5th February 2010
Friday 6:46 pm
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>>2084
Maybe you could work out the sequence of, say, a birds wing in flight and translate it into notes. Sort of... holistic music.
>> No. 2086 Anonymous
6th February 2010
Saturday 1:50 am
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>>2084

I am researching and practising this atm, hopefully I should have a book out in may.
>> No. 2087 Anonymous
6th February 2010
Saturday 12:55 pm
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I use it all the time in architecture.

Well, 1:1.6
>> No. 2088 Anonymous
6th February 2010
Saturday 7:18 pm
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>>2086

You bastard, that was my PhD idea. You will have to let us know more about the book.
>> No. 2090 Anonymous
8th February 2010
Monday 2:33 am
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>>2088

Yeah sure, my idea is playing alot on Plato's world of forms and ideals as well, its only going to be a self published book though.

Still do a PhD in it, if I get any interesting research I will share.

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>> No. 2026 Anonymous
23rd January 2010
Saturday 4:02 am
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ITT: 3D Photos

Sit back from the monitor and cross your eyes until the two images are on top of each other, then let it come into focus. It might take a couple of minutes the first time, after a few tries it'll only take a couple of seconds.

some more: http://stereo.matbergman.com/
howto: http://www.3dphoto.net/text/taking/taking.html
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>> No. 2033 Anonymous
23rd January 2010
Saturday 4:55 pm
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>>2032
Doing it wrong then, they look awesome when I do it.
>> No. 2048 Anonymous
25th January 2010
Monday 11:45 pm
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>>2026
Are my eyes supposed to burn and water?
>> No. 2077 Anonymous
30th January 2010
Saturday 1:29 am
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>>2032
>>2048
Why is this board populated by useless cretins? Stop being so pathetic.
>> No. 2081 Anonymous
31st January 2010
Sunday 5:40 am
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>>2077

Man shut it, I've probably posted more here that you have.
>> No. 2089 Anonymous
8th February 2010
Monday 12:17 am
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>>2081

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>> No. 1964 Anonymous
3rd January 2010
Sunday 12:02 am
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Does one of you know how created the attached picture? I've had it for years, but recently curiosity got the better of me and I'd love to find out who made it.
4 posts omitted.   View ]Hide ]Expand ]Reply ]
>> No. 1994 Anonymous
6th January 2010
Wednesday 1:44 pm
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ffffffffff
I always saw it as the flipped version of that. I hope you're in the wrong OP.
>> No. 1995 Anonymous
7th January 2010
Thursday 12:34 am
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>>1994
I don't understand that post at all
>> No. 1996 Anonymous
7th January 2010
Thursday 5:38 am
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>>1995
I'm assuming somebody flipped it to tend to their own preference.
>> No. 1997 Anonymous
8th January 2010
Friday 12:32 am
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>>1996
Maybe but why would that put OP in the wrong and why does it matter?
>> No. 2031 Anonymous
23rd January 2010
Saturday 6:24 am
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>>1997
It doesn't "matter" as such, but some people (myself included) become really agitated when their long-held perception of something changes. Possibly a manifestation of OCD, which I know I have anyway.

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>> No. 3 Anonymous
16th January 2009
Friday 11:27 pm
3 Photography Thread recycle
ITT: Pictures you have taken yourself
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>> No. 2017 Anonymous
17th January 2010
Sunday 11:41 pm
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>>2008

thats lovely :)
>> No. 2018 Anonymous
17th January 2010
Sunday 11:42 pm
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>>3

Here's one I took at Uni.

I am pretty chuffed with this picture.
>> No. 2019 Anonymous
17th January 2010
Sunday 11:55 pm
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>>2018

I quite like that one
>> No. 2022 Anonymous
19th January 2010
Tuesday 6:21 pm
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My favourite but probably not my best
>> No. 2023 Anonymous
20th January 2010
Wednesday 5:56 pm
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>>2022
Cocknose.

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>> No. 1998 Anonymous
9th January 2010
Saturday 2:11 am
1998 Spencer Tunick recycle
Does anyone know where I can find high definition copies of Spencer Tunick's work online, particularly this photo from Helsinki in 2002?

Google has failed me. You're my only hope.
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>> No. 2000 Anonymous
9th January 2010
Saturday 11:11 pm
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>>1999

Never buy anything from the Baltic, but encourage people you don't really like to buy lots. They are supported solely by people willing to pay £5 for a badge or £4 for an ironic postcard.
>> No. 2001 Anonymous
10th January 2010
Sunday 7:05 am
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>>2000
Steal some stationary and put them out business!
>> No. 2002 Anonymous
10th January 2010
Sunday 1:30 pm
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>>2000

Yeah I just steal that shit, things from all the tates and that. But Dvds and posters and buy
>> No. 2003 Anonymous
10th January 2010
Sunday 9:40 pm
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>>2001

I think they're kept afloat by the government to be honest.

Steal art prints, raise taxes!
>> No. 2014 Anonymous
15th January 2010
Friday 4:02 am
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>>2003

Lottery, Arts Council (Government), Donations

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>> No. 1992 Anonymous
6th January 2010
Wednesday 4:41 am
1992 interesting recycle
http://www.wired.com/magazine/2009/12/pl_arts_sugimoto/

for his latest project, called Lightning Fields, the award-winning photographer traded optics for electricity. He wields a Van de Graaf generator to send up to 400,000 volts through film to a metal table.
  View ]Hide ]Expand ]Reply ]
>> No. 1993 Anonymous
6th January 2010
Wednesday 4:42 am
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