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>> No. 24964 Anonymous
15th September 2023
Friday 10:59 am
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Does the "crime caper" or modern gangster genre of film still exist? You know the type: fast editing, modern music rather than a traditional score, usually either techno or diegetic music, sort of a "streetwise" tone, characters are often stoic or unhinged, usually dealing with themes like power and revenge and corruption.

There seemed to be a load of them in the 90s inspired by Scorsese and Tarantino, but maybe the clichés wore a bit thin?

These were some of my favourite films growing up, just the overall tone was appealing to a younglad.
Expand all images.
>> No. 24965 Anonymous
15th September 2023
Friday 11:24 am
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There seemed to be a spate of them after the Hatton Garden heist, but most of them were shite.

If you're after a British one then The Gentlemen is worth watching if you haven't already seen it.


https://www.youtube.com/watch?v=Ify9S7hj480
>> No. 24966 Anonymous
15th September 2023
Friday 11:50 am
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I think they were largely replaced by “films that are clones of Taken” as a genre. But those have gone too now, possibly because it’s toxic masculinity and not allowed. Or maybe I am becoming paranoid.
>> No. 24967 Anonymous
15th September 2023
Friday 12:04 pm
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>>24966
>But those have gone too now, possibly because it’s toxic masculinity and not allowed. Or maybe I am becoming paranoid.
Thick, more like it.
>> No. 24968 Anonymous
15th September 2023
Friday 12:29 pm
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The cliches wore thin and were replaced with other cliches - Taken, Bourne, Wick etc.

The other big factor is that a lot of the British film industry was a cover for tax fraud. A lot of weak gangster and horror movies were being churned out solely to claim tax relief, based on inflated costs for production in the UK.

https://www.accountingweb.co.uk/tax/hmrc-policy/film-schemes-the-taxman-strikes-back
>> No. 24969 Anonymous
15th September 2023
Friday 2:05 pm
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I watched Bullet Train recently, which was surprisingly good. Even more surprisingly that my girlfriend suggested it which usually means I disregard it on principle.

It was very much a homage to those Tarantino and Guy Ritchie style capers, but directed by the John Wick bloke, so instead of gritty and urban it was all very slick. It had a series of interesting characters whose stories overlap and intersect, a lot of humour, all that lot. The two London geezer hitmen were stand out characters and the way their story played out actually made me feel what I believe are called "emotions" too.

But yeah these films are rare and hard to come by these days. I think it's mostly just down to the fact it requires some genuinely pretty clever writing, which is obviously harder than just leaning on tropes. Maybe I'm just a bit thick but I had to watch Lock Stock (which is for my money the best example of the genre) 3 or 4 times over the course of my life before I genuinely understood how all the pieces fit together.

There's also the furry kids movie The Bad Guys which had me grinning like a cunt all the way through with its pastiche of movies like these. Worth a watch for something more light hearted.

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